
70
AUDIO
UPDATE
The importance
of
amplifier output current.
MANY YEARS AGO, I WAS INVITED TO
attend a record company's press
conference, given
to introduce
a
new
"blockbuster" four
-channel
classical recording. To ensure that
there
would
be adequate sound -
pressure
level in the very large re-
cording studio where the record
was being
demonstrated, the engi-
neer
in
charge had set up four
Acoustic Research LST
speaker
systems
facing inward
from the
corners of an
imaginary
25- by 25-
foot square
in
the middle of the
studio floor. Those speakers were
to be driven by a pair of Phase Lin-
ear
700
amplifiers, thus providing
350
watts
per speaker channel. The
engineer
in
charge of the setup
was
an old
friend
of
mine
and
he
invited me to come
early
to help
balance the system.
When I arrived, my
engineer
friend was
cursing to
himself
be-
cause the amplifiers,
for
some rea-
son, were distorting badly on
musical peaks. I was mystified,
be-
cause,
in
my experience, the pair
of LST's I happened to have
at
home certainly didn't seem to be
so
low in
efficiency as to cause
clipping
in
a 350 -watt amplifier.
My
friend subsequently
solved
the
problem by replacing the power
amps
with
another brand (I
think
they
were Crowns)
borrowed
from
a
local dealer -and the press con-
ference
went
on as scheduled
without further technical hitches.
I
forget whether I
didn't
get a
chance
to
ask
about the amplifier
problem, or whether
I
simply
didn't understand
my friend's an-
swer.
In
any case,
I filed the matter
20
4
o
LARRY KLEIN,
AUDIO
EDITOR
WM,
IMPEDANCE
CURVE OF
A
TYPICAL "8 -OHM"
SPEAKER SYSTEM
10
11111111111
20
loo
1000
FREQUENCY
-HERTZ
FIG.
1
away
in my head in the "unsolved
audio
mystery" category-where
it
remained until
many years later. It
was
during
a discussion about
the
strange
reactive loads presented
by some speaker
systems that ev-
erything
suddenly
fell into place.
As
I mentally reconstructed
the
problem, it wasn't that
the
original
amplifiers
weren't capable of
put-
ting out their
rated power
into
standard
8 -ohm
loads; they just
couldn't deliver
their
power into
the
very low impedance
reactive
load characteristics
of the
AR LST
speaker system.
(As
I recall, the
LST
system
had
both
a tapped
in-
ductor
and a
very large capacitor at
its input terminals).
As
the
curve
in
Fig. 1 shows,
the
impedance of a
typical
"8 -ohm" speaker
system
can
vary
widely with frequency.
10000
20000
Speaker
impedance
and power
The best of today's better solid -
state amplifiers
approximate a
constant -voltage
source. That
means that
fora
given
input signal,
the
amplifier
will, within reason,
put out a constant
voltage
across
the
speaker
terminals-whatever
the load. If, for example, there are
20
volts
at the amplifier's
speaker
terminals,
the relevant part of
Ohm's
Law (watts
=
volts2 /speaker
impedance) tells us that
there are
50
watts
being
fed to an 8 -ohm
speaker.
Theoretically,
if
a
4 -ohm
speaker
were
connected,
the
same
20
volts
across
it would pro-
duce
100 watts.
However, very
few
amplifiers
double their
maximum output
power
when switched
from an 8-
ohm to
a 4 -ohm load.
Most ampli-
Comentarios a estos manuales